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A recent review published in International Migration Review (IMR) lauded “Global Talent: Skilled Labor as Social Capital in Korea,” by Stanford professor Gi-Wook Shin and Joon Nak Choi. IMR reviewer Keumjae Park said the book makes an important contribution to the literature on foreign skilled workers and the problems that countries like South Korea face with demographic and economic change.

Park said the book “offers provocative policy questions” about how South Korea can encourage the development of social and cultural ties in its highly skilled labor markets, which in turn, support local and transnational markets through spread of information, innovation and trust.

Park also highlights the book’s approachability, saying it “offers theoretical lessons for general research” while it “invites attention of policy makers and business strategists.”

“Global Talent” is a part of Korea’s Global Talent, an ongoing research project at the Shorenstein Asia-Pacific Research Center. The project analyzes the potential benefits of transnational bridges between South Korea and the United States, and aims to provide insights that could be applied to other Asian countries.

Read the full review below and on the IMR website.

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How do democratic societies respond to acts of terror? More precisely, what are the political consequences of the "Charlie Hebdo" attacks and the November 13 rampage in 2015 in Paris? Past research has examined the impact of threatening events on attitudes toward ethnic and religious minorities, as well as its influence on the endorsement of authoritarian policies. However, up until now, the impact of terrorist events on political participation has not been examined. This talk aims to assess the influence of fear and anger evoked by threat on the propensity to take part in various political activities, drawing on two representative surveys conducted in the aftermath of the January and November 2015 terrorist attacks in Paris.

Martial Foucault is a professor of political science at Sciences Po in Paris, director of the CEVIPOF (CNRS) and associate researcher within the Laboratoire Interdisciplinaire d’Evaluation des Politiques Publiques (LIEPP).

 

RSVP to Minjia Zhong at mzhong2@stanford.edu by Monday April 11.

For more information contact Cécile Alduy at alduy@stanford.edu

This lecture is co-sponsored by the French and Italian Department, The Europe Center, Stanford University Library, the France-Stanford Center for Interdisciplinary Studies, the Division of Literatures, Cultures and Languages, and the Center on Democracy, Development and the Rule of Law.

 

German Library, Room 252
Building 260

Martial Foucault Professor of Political Science speaker Institute of Political Science (Sciences Po), Paris
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Gary Mukai
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On February 12, 2016, the Stanford Program on International and Cross-Cultural Education (SPICE) and Stanford Live (in collaboration with the National Consortium for Teaching about Asia) co-hosted a teacher professional development seminar that focused on the Silk Road. The seminar was held just prior to a Stanford Live performance by the Silk Road Ensemble at Stanford Bing Concert Hall on February 24, 2016 and a student matinee on February 25, 2016. Made up of performers and composers from more than 20 countries, the Silk Road Ensemble was formed under the artistic direction of Yo-Yo Ma in 2000.

 

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Jonas Edman introducing the Silk Road Ensemble. © Joel Simon

Jonas Edman (SPICE) and Ben Frandzel (Stanford Live) organized the day-long seminar. The morning featured a two-part lecture by Professor Emeritus Albert E. Dien, Stanford University. Part one focused on a general overview of the history and geography of the Silk Road and part two focused on a specific introduction to the religions along the Silk Road. Dr. Dien highlighted religion as an example of the many ways that the Silk Road helped to facilitate cultural exchange for millennia, resulting in the tremendous diversity one witnesses today in the region.

 

The afternoon featured a presentation and performance by composer and santur player Faraz Minooei, and a curriculum demonstration by SPICE staff. Minooei gave an overview of how the Silk Road played a role in the transmission of musical tradition, and also shared his personal story from his birth and childhood in Tehran, his immigrant experience in the United States, and his musical discoveries along the way. In particular, he shared his reflections on his deep spiritual desire to study music, seeing music as an “unexplainable souvenir from the eternal truth.”

Reflecting on Minooei’s presentation, Frandzel commented, “Faraz’s presentation really embodied the ways in which the Silk Road’s tradition of cultural exchange is a living story that continues to this day. His performances of Persian classical music and of his own compositions were entrancing, ear-opening experiences. As Faraz discussed his background and the musical forms that feed into his current work, his personal history and music seemed to encapsulate, in a fast-moving way, the kinds of cultural mixing that would have happened along the historic Silk Road. In our teacher workshops, we aim to provide teachers with arts-based teaching tools, and also to provide a larger social and cultural context for the art forms under discussion. The wonderful opportunity to partner with SPICE on the workshop, and the presence of this fascinating and brilliant musician, made this so much more possible.”

The curriculum demonstration was led by Rylan SekiguchiNaomi Funahashi, and Johanna Wee, who introduced both print- and web-based materials from the curriculum unit, Along the Silk Road, which were developed in collaboration with the Silk Road Ensemble and Dr. Dien. The 20 teachers in attendance interactively engaged with the materials and each received a complimentary copy of the curriculum unit as well as a large wall map of the Silk Road. The development of such materials has been a hallmark of SPICE for 40 years. The materials help to make content from teacher professional development seminars accessible to students.

Following the seminar, Edman reflected, “It is always such a pleasure to share with teachers the curriculum we produce here at SPICE. And to be able to collaborate with Stanford Live on a professional development workshop in conjunction with the Silk Road Ensemble’s visit to Stanford was a wonderful opportunity and experience. The Silk Road—with its themes of cross-cultural communication, exchange, and understanding—seems like an ideal topic for middle school students trying to understand today’s globalized world. We hope the speakers and pedagogical strategies and materials shared at the workshop will help teachers bring the topic to life in the classroom!”

 
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Kinan Azmeh and Kojiro Umezaki, The Silk Road Ensemble. © Joel Simon Joel Simon
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Gi-Wook Shin
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A variety of media outlets have recently highlighted Stanford research efforts focused on the value of global talent and diversity policy in South Korea led by Professor Gi-Wook Shin, director of the Walter H. Shorenstein Asia-Pacific Research Center (APARC).

On Arirang, Shin discussed why South Korea should seek to recruit and retain foreign skilled workers in a moderated conversation with Rennie Moon, an assistant professor at Yonsei University. Together, the scholars work on a research project that examines diversity programs and policies of universities and companies in South Korea.

Shin and Moon wrote an editorial for Conversation UK that recognizes Korea’s failure to embrace diversity and says the country’s ethnic nationalism is largely to blame. They call upon Korean universities and the government to work closely together to tackle diversity issues. A similar message was relayed in a Q&A conducted by Shorenstein APARC and on a podcast episode recorded for "Korea and the World." Shin and Moon also wrote an editorial for the East Asia Forum that broadens the analysis to include the challenges of attracting foreign talent across Northeast Asia. 

Shin also told Maeil Shinmun that South Korea needs concrete and strategic policies to compete globally in its recruitment of foreign skilled workers. One of his policy suggestions is to offer a 2-year visa period for foreign college graduates to encourage them to work and stay in South Korea.

Dong-a Ilbo also covered an event where Shin presented findings from his co-authored publication, Global Talent: Skilled Labor as Social Capital. He said South Korea must embrace the value of social capital and diasporas as seen in the United States example, or else the country risks losing global competitiveness. Shin leads a research project on this topic with Joon Nak Choi, 2015-16 Koret Fellow at Shorenstein APARC and an assistant professor at Hong Kong University of Science and Technology. An earlier Nikkei Asian Review editorial highlights some of their studies.

Related links will be added to this news item as they arrive.

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Students prepare to take an exam at a high school in Seoul.
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Gary Mukai
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My daughter, Emily, was teaching English at a middle school in Asahi City, Chiba Prefecture, on the Japan Exchange and Teaching (JET) Program when the 2011 Tohoku earthquake struck on March 11, 2011. Tohoku is a region in the northeast portion of the island of Honshu, the largest island in Japan. Though Asahi City, a coastal city, is not in the Tohoku region, it was still heavily damaged by the resulting tsunami. Several of Emily’s students lost their homes. She was emotionally shaken, of course, but was fortunate not to sustain any injuries.

With the fifth anniversary of the 2011 Tohoku earthquake and tsunami approaching, I have been reflecting upon the tremendous anxiety that I felt that day about Emily’s safety, my wife’s family in Tohoku, and the people of Japan in general. My reflections deepened last week while observing the interaction of SPICE’s Reischauer Scholars Program (RSP) students (American high school students studying about Japan) with SPICE’s Stanford e-Japan students (Japanese high school students studying about the United States) in an informal online “social hour.” The RSP and Stanford e-Japan are distance-learning courses that are offered by SPICE.

Stanford e-Japan instructor Waka Brown and RSP instructor Naomi Funahashi organized the social hour to help to build bridges between youth in Japan and the United States. During the latter part of the social hour, RSP student, David Jaffe (Mesa, Arizona), posed the question, “How is 3.11 remembered today?” Among the many Stanford e-Japan students who spoke was Minoru Takeuchi (Sakura City, Chiba Prefecture), who stated, “When the earthquake happened, I was an elementary school student (12 years old). I still remember very well… at that time, I was in school. Some students were very afraid and crying… Maybe after the earthquake, many Japanese noticed the importance of working together, the preciousness that they could meet their friends…” The Japanese students’ sharing of their experiences related to 3.11 extended the social hour far beyond the hour, and the gratitude expressed by the American students to their counterparts in Japan flowed for many minutes in a text-chat box.

Observing the students was one of the most rewarding experiences of my career at SPICE. The Japanese students’ remembrances of 3.11 brought back poignant and difficult memories for me but also provided me with hopeful thoughts on the future of the U.S.–Japan relationship as I witnessed students from across the Pacific forming budding friendships and discussing topics of mutual relevance.
 

Resources for the classroom
 

My hope is that teachers will carve out some time in their curriculum to engage their students in a study of 3.11 as well as its legacies. The study of natural hazards ought to be a core part of school curriculum. SPICE has undertaken many curricular projects related to 3.11. I would recommend that teachers show the film, After the Darkness, which was produced by Risa Morimoto and Funahashi. After the Darkness is a documentary film that touches upon the events of the disaster itself but also focuses on the experiences of two survivors in particular. It is accompanied with free curricular lessons that are accessible to students of various ages. I also recommend a lecture by Professor Emeritus Daniel Okimoto, Stanford University, on “Japan’s Geological Factors,” which is accompanied by a free lesson plan. Another recommended curricular unit is SPICE’s Examining Long-term Radiation Effects, which was produced prior to 3.11 but can help students understand the radiation-related concerns following the Fukushima Daiichi nuclear disaster. In addition, the film, Live Your Dream: The Taylor Anderson Story, is about one of two American JET Program teachers who lost their lives during 3.11. SPICE developed a teacher’s guide for the film that can be freely downloaded from the Live Your Dream: The Taylor Anderson Story website. Lastly, I recommend the use of the films from the 113 Project in classrooms. Earlier this week, I moderated a panel discussion that included Wesley Julian (director of the 113 Project), Andy Anderson (father of Taylor Anderson and board member of the Taylor Anderson Memorial Fund) as well as other Americans and Japanese who continue to contribute to relief efforts in the Tohoku region.

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A distraught woman carries an elderly woman on her back, away from the piles of debris that are the flattened remnants of what was once a city in the Tohoku region of Japan. This scene comes from a photo taken the day after a 9.0 magnitude earthquake struck Japan on March 11, 2011, triggering a destructive tsunami.
Kahoku Shimpo
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This event is sponsored by the Freeman Spogli Institute for International Studies (FSI), the Shorenstein Asia-Pacific Research Center (APARC), the Center for Russian, East European, and Eurasian Studies (CREEES), and the Stanford Music Department.

Movie Screening: 7:30pm-8:35pm

FREE TO ROCK is a feature length documentary film telling the story of how western rock music contributed to ending the Cold War.  Prohibited by the Soviet and Eastern Bloc authorities as propaganda, the “soft power” of western rock music infected the youth behind the Iron Curtain, spreading like a virus.  This forbidden music was distributed and sold as “bone records” (etched on x-ray paper for 20 or fewer plays) and cassettes by Black market entrepreneurs and fledgling pop-culture capitalists.  In the eyes of the Soviet Ministry of Culture, western rock music combined the twin evils of spreading the English language - undermining a Russification initiative in the 15 Republics of the USSR extending from Kazakhstan to the Baltics - and encouraging illicit free enterprise.

The film, narrated by Kiefer Sutherland, features interviews with former President, Jimmy Carter, Mikhail Gorbachev (former Premier of the Soviet Union), Billy Joel, the Beach Boys, rock and roll pioneers from the Soviet Union, and is directed and produced by Jim Brown, four time Emmy Award winning director. 

Panel discussion, 8:35-9:30pm

Power of Music and Political Change

Moderator

Michael McFaul, Former Ambassador to Russia and Director of the Freeman Spogli Institute for International Studies

Panelists

Mark Applebaum, Associate Professor of Music, Stanford University

Nick Binkley, Free to Rock, Producer

Jim Brown, Free to Rock, Director

Valery Saifudinov, founder of the first Soviet Rock n' Roll band, the Revengers

Joanna Stingray, first American producer of Soviet Rock n' Roll

Kathryn Stoner, Director of the Ford Dorsey Program in International Policy Studies, Stanford University

Campbell Recital Hall471 Lagunita DriveStanford, CA 94305

 

 

Film Screenings
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The 8th Annual Koret Workshop

South Korea has become an economic powerhouse, but faces multiple challenges. The conference will focus on four areas that South Korea needs to turn its attention to: 1) the higher education and development; 2) entrepreneurship and innovation; 3) global competitiveness; and 4) demographic changes and immigration policy.

During the conference, a keynote speech is open to the public. Please click here for more information about the public keynote.

The Koret Workshop is made possible through the generous support of the Koret Foundation.

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Despite the increasing state control over free speech, the Russian media market is still alive — and huge. There are tens of independent online media with a multimillion audience and each year we get more. How do you survive on the internet when it is controlled by the state? How do you find professional journalists when there are no decent schools of journalism? How do you manage a media outlet when you do not know what is going to happen tomorrow? Publisher of the popular Russian language online media outlet Meduza Ilia Krasilshchik will explain how the world of Russian media works.

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Image of Ilia Krasilshchik

After dropping out of university at 21, in 2008 Ilya Krasilshchik became the editor of the then most influential Moscow entertainment and city life magazine Afisha. During his five-year tenure, Afisha published more than 100 issues, including specials like “Oral History of the Russian
Media” and “Oral History of the Russian Internet” and a “Coming Outs” issue (as an answer to the ”LGBT propaganda” law adopted by the Russian State Duma). He stepped down in 2013 to become the Product Director at Afisha publishing company, launching three separate web-based media and а TV streaming service in one year. In October 2014, he finally left Afisha, and together with two partners launched Meduza, a groundbreaking Russian language web news outlet based in Riga, Latvia. By December 2015 the monthly readership of Meduza exceeded 3.5 million unique visitors, with 320,000 app downloads and more than 500,000 followers on social media. Seventy percent of Meduza’s audience is based in Russia.

 

Ilia Krasilshchik Publisher Speaker Meduza.io
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