Stanford University

Society

FSI researchers work to understand continuity and change in societies as they confront their problems and opportunities. This includes the implications of migration and human trafficking. What happens to a society when young girls exit the sex trade? How do groups moving between locations impact societies, economies, self-identity and citizenship? What are the ethnic challenges faced by an increasingly diverse European Union? From a policy perspective, scholars also work to investigate the consequences of security-related measures for society and its values.

The Europe Center reflects much of FSI’s agenda of investigating societies, serving as a forum for experts to research the cultures, religions and people of Europe. The Center sponsors several seminars and lectures, as well as visiting scholars.

Societal research also addresses issues of demography and aging, such as the social and economic challenges of providing health care for an aging population. How do older adults make decisions, and what societal tools need to be in place to ensure the resulting decisions are well-informed? FSI regularly brings in international scholars to look at these issues. They discuss how adults care for their older parents in rural China as well as the economic aspects of aging populations in China and India.

China's Changing Media Landscape

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PLEASE NOTE VENUE CHANGE

In association with the annual Shorenstein Journalism Award for Asia, conferred this year on China's pioneering Caixin Media group, this panel will look at the current state and the future of the Chinese media. The Chinese state continues to play a powerful role in controlling the media and the free flow of information to the Chinese people. But China's media is undergoing rapid change, from the growing role of social media to the proliferation of new publications, some of which, like Caixin, are challenging the boundaries of state control. Which will win in China's changing media landscape—the forces of the market, state censorship, or quality journalism?

PANELISTS

Hu Shuli, editor-­in-chief of Caixin Media, and dean of the School of Communications and Design at Sun Yat-sen University, has a distinguished career that spans both print and broadcast journalism. Hu is a former Stanford Knight Journalism Fellow (1994) and a recipient of the Louis Lyons Award for Conscience and Integrity in Journalism (2007). She is frequently named on annual Who’s Who lists by publications such as Foreign Policy and Time Magazine.

Wang Shuo, managing editor of Caixin Media, was ranked among China’s top 10 young editors in 2011. He is a former international editor for People’s Daily, a Chinese government-run newspaper published nationally. Recognized as one of the brightest rising stars in his field, Wang was named as a Young Leader in 2007 and 2008 by the Boao Forum for Asia, and as a media leader by the World Economic Forum. He has led the investigative journalism teams at Caixin.

Orville Schell is the Arthur Ross Director at the Asia Society Center on U.S.-China Relations, and is also a former jury member for the Pulitzer Prize for International Reporting. He has written extensively on China, and was awarded the 1997 George Peabody Award for producing the groundbreaking documentary the Gate of Heavenly Peace. He received the Shorenstein Journalism Award in 2003.

Hu Ben, a journalist with Southern Weekend, is the current Lyle and Corrine Nelson International Knight Fellow at Stanford. He started his journalism career in 2005, when he joined a writer's network blogging about international affairs not covered by official media. At Southern Weekend, he has written about how Chinese government works, how public policies are made, and how information flows inside the government.

Daniel Sneider serves as the associate director for research at Shorenstein APARC and also as a research associate with the prestigious National Asia Research Program. He frequently contributes articles to publications such as Foreign Policy, Asia Policy, and Slate and had three decades of experience as a foreign correspondent and editor for publications including the Christian Science Monitor and the San Jose Mercury News. 

ABOUT THE AWARD

The Shorenstein Journalism Award was launched in 2002 to recognize the contributions of Western journalists in deepening our understanding of Asia. In 2011, the recipients of the award have been broadened to encompass Asian journalists who are at the forefront of the battle for press freedom in Asia and who have played a key role in constructing a new role for the media, including the growth of social media and Internet-based journalism. The award will also identify those Asian journalists who, from that side of the Pacific Ocean, have aided the growth of mutual understanding between Asia and the United States.

Carrying a cash prize of $10,000, the award was named after Walter H. Shorenstein, the philanthropist, activist, and businessman who endowed two institutions that are focused respectively on Asia and on the press: Shorenstein APARC in the Freeman Spogli Institute at Stanford University, and the Joan Shorenstein Center on the Press, Politics, and Public Policy in the Kennedy School of Government at Harvard University.

Read the 2011 Shorenstein Journalism Award press release for more details about Caixin and about the history of the award.

Bechtel Conference Center

Conferences
Shorenstein Journalism Award

Women, War & Peace series -- Screening of Peace Unveiled

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Co-sponsored by Clayman Institute for Gender Research, McCoy Family Center for Ethics in Society, Philanthropy & Civil Society, and the Social Entrepreneurship Program (CDDRL).

Come to EAST House for another installment of the 5-part Women, War & Peace series! Join us for a screening of Peace Unveiled, a captivating story of how three women in Afghanistan are risking their lives to ensure women's rights amidst peace negotiations with the Taliban.

 Directly after the screening, stay for an engaging conversation with Kavita Ramdas, former President and CEO of the Global Fund for Women, and Professor Christine Min Wotipka from the Stanford School of Education.  

Learn more about Peace Unveiled.

When: Thursday October 27, 7:00-9:00 PM

Where: Education and Society Theme House (EAST)

RSVP at east.stanford.edu

 Refreshments will be served.

 

Education and Society Theme House (East)

Kavita N. Ramdas Speaker

Christine Min Wotipka

520 Galvez Mall
Graduate School Of Education Stanford University
Stanford CA 94305-3001

650.736.1392
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Associate Professor (Teaching), Graduate School of Education
Associate Professor (Teaching) (By courtesy), Sociology
CDDRL Affiliated Faculty
wotipka.jpg PhD

Christine Min Wotipka is Associate Professor (Teaching) of Education and (by courtesy) Sociology and Director of the Master’s Programs in International Comparative Education (ICE) and International Education Policy Analysis (IEPA) at the Stanford Graduate School of Education. She is Co-Resident Fellow and Co-Founder of EAST House — the Equity, Access, & Society Theme House.

Dr. Wotipka’s research contributes to the comparative scholarship in gender, diversity, leadership, and higher education and has been supported by the National Science Foundation and the Spencer Foundation. Her articles have appeared in such journals as Social Forces, Sociology of Education, Gender & Society, Sociological Forum, and Comparative Education Review.

Before joining the faculty at Stanford in 2006, Dr. Wotipka was a visiting assistant professor/global fellow at the University of California, Los Angeles, and an assistant professor at the University of Minnesota-Twin Cities. Between her undergraduate and graduate studies, she proudly served as a United States Peace Corps volunteer in rural northeast Thailand and worked in the Republic of Korea at an economic research firm. Among Dr. Wotipka’s professional activities, she has consulted on girls' education policies for the Ministry of Education in Afghanistan.

Dr. Wotipka earned her BA (summa cum laude) in International Relations and French at the University of Minnesota-Twin Cities, and MA in Sociology and Ph.D. in International Comparative Education at Stanford University.

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Conferences

Screening of Snow Flower and the Secret Fan

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Please join the Center on Philanthropy and Civic Society, the Program on Social Entrepreneurship, Spark, and the Clayman Institute for Gender Research for a special evening screening of:

Snow Flower and the Secret Fan

Friday, November 4, 2011

Doors Open 6:30 pm, Film Program 7:00 pm-9:30 pm

CEMEX Auditorium at the Knight Management Center,

Stanford Graduate School of Business

This film is set in 19th century China and centered on the lifelong friendship between two girls who develop their own secret code as a way to contend with the rigid cultural norms imposed on women.

The film will be followed by a Q&A with Director Wayne Wang and producers Wendi Murdoch and Florence Sloan, and author Lisa See.

This program will also launch a new Stanford initiative to facilitate an intergenerational conversation on the women’s movement. As such, the Q&A will focus on a historical framing of the women’s movement, the role of culture in shaping feminism and the ways in which leadership within the movement is transferred between generations.

To RSVP, visit the Stanford PACS website at:

http://pacscenter.stanford.edu/events/upcoming-events

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CEMEX Auditorium at the Knight Management Center,
Stanford Graduate School of Business

Conferences

Roland Hsu (TEC) on Human Rights, Gender Equality, Roma Schools, and Reconciling Post-atrocity Communities with the Arts

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Roland Hsu, Associate Director of The Europe Center at the Stanford Freeman Spogli Institute for International Studies was interviewed by the Media Project on the subjects of The Europe Center's research, and its sponsorship of the United Nations Association International Film Festival.  Hsu was asked to discuss the research and policy implications of the subjects of key films in this year's international documentary film festival.  Among the subjects that Hsu underlines:

International Law and Human Rights: The International Criminal Court and the challenges and strategies of the Court's Chief Prosecutor Luis Moreno Ocampo to bring indictments for crimes against humanity -- even indictments of sitting sovereign leaders.

Cultural Minority Rights: Roma communities in Europe (east and west) and the struggle among political and community leaders, as well as residents and school teachers, to balance the preservation and perpetuation of cultural specificity with the need for adaptation and assimiliation.

Reconciliation: how do victims and perpetrators of atrocities and social repression find ways to process their memories, and to live on as neighbors in reconciled community.  Models for such deep truth and reconciliation include the well-known institutions of Truth & Reconciliation Commissions, and also the mediating influence of cultural production in literature and the visual arts.

Among the research and public outreach projects at The Europe Center discussed by Hsu was “Islam in the West: Conflict and Reconciliation” designed to answer the challenge of social and political integration within the high immigration West.  With an effective focus on the European Union and the transatlantic West, The Europe Center is opening a seminar series on “Islam and the West” with partner The Abassi Program in Islamic Studies (Stanford) and European partners including Oxford University, which seeks to investigate the challenges of social integration.  "The design is based on our years of achievement in this area, delivering insight on EU policy towards its newest members, East-West and transatlantic relations, crime and social conflict, and European models of universal citizenship," says Hsu.

The plan for this series began with the book Ethnic Europe: Ethnicity in Today’s Europe: Mobility Identity, and Conflict in a Globalized World” (edited and with an essay by Roland Hsu.)  Hsu explains, "This book was developed from the Center’s international conference on the topic, and reveals path breaking data and proposals for immigration, integration, and a ‘civic Islam’ in a globalizing Europe."

 
The full interview with additional participants is at: http://www.youtube.com/watch?v=5R17XBFnumY


The United Nations Association Film Festival is at: http://www.unaff.org/2011/index.html

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Pamela Matson

Yang and Yamazaki Environment and Energy Building
473 Via Ortega, room 373
Stanford University
Stanford, CA 94305

(650) 723-2750 (650) 725-6566
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Richard and Rhoda Goldman Professor of Environmental Studies, Senior Fellow at the Woods Institute for the Environment, FSE Affiliated Faculty
Pam_dean_11.jpg MS, PhD

Pamela Matson is an interdisciplinary sustainability scientist, academic leader, and organizational strategist. She served as dean of Stanford University’s School of Earth, Energy and Environmental Sciences from 2002-2017, building interdisciplinary departments and educational programs focused on resources, environment and sustainability, as well as co-leading university-wide interdisciplinary initiatives. In her current role as the Goldman Professor of Environmental Studies and Senior Fellow in the Woods Institute for the Environment, she leads the graduate program on Sustainability Science and Practice. Her research addresses a range of environment and sustainability issues, including sustainability of agricultural systems, vulnerability and resilience of particular people and places to climate change, and characteristics of science that can contribute to sustainability transitions at scale.

Dr. Matson serves as chair of the board of the World Wildlife Fund-US and as a board member of the World Wildlife Fund-International and several university advisory boards. She served on the US National Academy of Science Board on Sustainable Development and co-wrote the National Research Council’s volume Our Common Journey: A transition toward sustainability (1999); she also led the NRC committee on America’s Climate Choices: Advancing the Science of Climate Change. She was the founding chair of the National Academies Roundtable on Science and Technology for Sustainability, and founding editor for the Annual Review of Environment and Resources. She is a past President of the Ecological Society of America. Her recent publications (among around 200) include Seeds of Sustainability: Lessons from the Birthplace of the Green Revolution (2012) and Pursuing Sustainability (2016).

Pam is an elected member of the National Academy of Science and the American Academy of Arts and Sciences, and is a AAAS Fellow. She received a MacArthur Foundation Award, contributed to the award of the Nobel Prize to the Intergovernmental Panel on Climate Change, among other awards and recognitions, and is an Einstein Fellow of the Chinese Academy of Sciences.

Dr. Matson holds a Bachelor of Science degree with double majors in Biology and Literature from the University of Wisconsin (Eau Claire), a Master degree in Environmental Science and Policy from Indiana University’s School of Public and Environmental Affairs, a Doctorate in Forest Ecology from Oregon State University, and honorary doctorates from Princeton, McGill and Arizona State Universities. She spent ten years as a research scientist with NASA-Ames Research Center before moving to a professorship at the University of California Berkeley and, in 1997, to Stanford University.

Authorship and Responsibility: Literary Trials and the Ethics of Writing (France, 19th-21st Centuries)

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What are the limits of literary freedom? Writers' claims for autonomy have encountered legal restrictions to their freedom of speech.  As suggested by Foucault, censorship has shaped the very notion of authorship. This talk will confront the diverging conceptions of the author’s responsibility in France and the beliefs in the power of writing that underlie them through the debates surrounding literary trials, including the cases of Béranger, Courier, Flaubert, Baudelaire, the naturalists, and the purge trials after World War II. In reaction to these conceptions, writers developed their own code of ethics, which contributed to the emergence of an autonomous literary field and to the construction of the figure of the public  intellectual, embodied by Zola and by Sartre.

Gisèle Sapiro is Research director at the CNRS and Director of Studies at the Ecole des hautes études en sciences sociales. She is also head of the Centre européen de sociologie et de science politique, Paris, and been a visiting professor at the University of Freiburg and at NYU, among other places. Her interests include the sociology of intellectuals, literature, publishing and translation. She is the author of La Guerre des écrivains, 1940-1953 (Fayard, 1999; forthcoming in English translation with Duke University Press), La Responsabilité de l’écrivain. Littérature, droit et morale en France (19e-20e siècles) (Seuil, 2011), and of numerous articles published in journals of sociology, history, political science, aesthetics and literature, cultural studies and French studies. She is also editor or co-editor of Pour une histoire des sciences sociales (Fayard, 2004), Pierre Bourdieu, sociologue (Fayard, 2004), Translatio. Le marché de la traduction en France à l’heure de la mondialisation (CNRS Editions, 2008), Les Contradictions de la globalisation éditoriale (Nouveau Monde, 2009), and L’Espace intellectuel en Europe (La Découverte, 2009).

 

Co-sponsored by:  The Europe Center, Department of French and Italian, Taube Center for Jewish Studies, Center for the Study of the Novel, Department of Sociology, DLCL Research Unit on Literature and Ethics, Hebrew Literature Workshop, and the French Culture Workshop

 

 

Event Summary

Sapiro describes how writers during the inter-war period were targeted for social and political subversion, and even accused of being responsible for the French military defeat. The belief in the power of the written word, a legacy from the French Revolution, along with the Catholic fear of the dangers of reading, contributed to the perception of the printed word as a vehicle for inciting crime. Censorship was prevalent, with many prosecutions for writing and publishing carried out during the 19th century.

Sapiro traces how this repression led to the development of two competing ideas of professional ethics around writing: the idea of art for art's sake, and the political commitment of public intellectuals. She also describes the application of objective and subjective responsibility theories, ideas about criminality, and the absence of a professional ethics in writing, to the laws of free press during this period. Sapiro outlines several specific cases of prosecution against prominent authors in France, and the variety of arguments used in the defense - sometimes unsuccessfully.

A discussion session following the talk raised such questions as: How does the identity of the author relate to concepts of citizenship? Could the trials of authors be considered a form of censorship? Were there structural similarities between the trials and the public debate? Was there any reaction in the literary realm? Was there ever any criticism about the legal mechanism as the appropriate arena for discussing this moral debate? Why wasn't the debate held within the government?

CISAC Conference Room

Gisèle Sapiro Speaker CNRS, EHESS, Centre européen de sociologie et de science politique
Lectures

Nelly Sachs: Migration and Memory, Poetry and Context

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Reception, workshop and dramatic reading in celebration of the life, poetry and the evocative context of Nelly Sachs, winner of the 1966 Nobel Prize for Literature.

Inspired by the publication of the American edition of Nelly Sachs: Flight and Metamorphosis, the documented biography of the Nobel prize-winning poet Nelly Sachs, by author Aris Fioretos (Stanford University Press, 2012), Mr. Fioretos will be available for book signings (books will also be available for purchase.)

Seating is limited.

Co-sponsored by the Stanford Institute for Creativity and the Arts (SiCa) and the Taube Center for Jewish Studies

POST EVENT RELATED PUBLICATIONS:

"Nelly Sachs.  Ever hear of her?  Nobel poet finds new recognition"
AUTHOR
Cynthia Haven
PUBLISHED BY
THE BOOK HAVEN, Stanford University, March 2012

"Dust-to-Dust Song"
AUTHOR
Paul Reitter
PUBLISHED BY
JEWISH REVIEW OF BOOKS, Vol. 10, Summer 2012

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The Bender Room
5th floor, Green Library
Stanford University

Amir Eshel

Dept of German Studies
Building 260, Room 204
Stanford University
Stanford, CA 94305-2030

(650) 723-0413 (650) 725-8421
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Edward Clark Crossett Professor of Humanistic Studies
Professor of Comparative Literature
Professor of German Studies
Eshel.jpg MA, PhD

Amir Eshel is Edward Clark Crossett Professor of Humanistic Studies. He is Professor of German Studies and Comparative Literature and as of 2019 Director of Comparative Literature and its graduate program. His Stanford affiliations include The Taube Center for Jewish Studies, Modern Thought & Literature, and The Europe Center at Stanford University’s Freeman Spogli Institute for International Studies. He is also the faculty director of Stanford’s research group on The Contemporary and of the Poetic Media Lab at Stanford’s Center for Spatial and Textual Analysis (CESTA). His research focuses on contemporary literature and the arts as they touch on philosophy, specifically on memory, history, political thought, and ethics.

Amir Eshel is the author of Poetic Thinking Today (Stanford University Press, 2019); German translation at Suhrkamp Verlag, 2020). Previous books include Futurity: Contemporary Literature and the Quest for the Past (The University of Chicago Press in 2013). The German version of the book, Zukünftigkeit: Die zeitgenössische Literatur und die Vergangenheit, appeared in 2012 with Suhrkamp Verlag. Together with Rachel Seelig, he co-edited The German-Hebrew Dialogue: Studies of Encounter and Exchange (2018). In 2014, he co-edited with Ulrich Baer a book of essays on Hannah Arendt, Hannah Arendt: zwischen den Disziplinen; and also co-edited a book of essays on Barbara Honigmann with Yfaat Weiss, Kurz hinter der Wahrheit und dicht neben der Lüge (2013).

Earlier scholarship includes the books Zeit der Zäsur: Jüdische Lyriker im Angesicht der Shoah (1999), and Das Ungesagte Schreiben: Israelische Prosa und das Problem der Palästinensischen Flucht und Vertreibung (2006). Amir Eshel has also published essays on Franz Kafka, Hannah Arendt, Paul Celan, Dani Karavan, Gerhard Richter, W.G. Sebald, Günter Grass, Alexander Kluge, Barbara Honigmann, Durs Grünbein, Dan Pagis, S. Yizhar, and Yoram Kaniyuk.

Amir Eshel’s poetry includes a 2018 book with the artist Gerhard Richter, Zeichnungen/רישומים, a work which brings together 25 drawings by Richter from the clycle 40 Tage and Eshel’s bi-lingual poetry in Hebrew and German. In 2020, Mossad Bialik brings his Hebrew poetry collection בין מדבר למדבר, Between Deserts.

Amir Eshel is a recipient of fellowships from the Alexander von Humboldt and the Friedrich Ebert foundations and received the Award for Distinguished Teaching from the School of Humanities and Sciences.

Affiliated faculty of The Europe Center
Affiliated faculty of The Taube Center for Jewish Studies
Faculty Director of The Contemporary Research Group
Faculty Director of the Poetic Media Lab
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Amir Eshel Moderator
Aris Fioretos Author and Professor of Aesthetics Speaker Humboldt University, Berlin
Deniz Göktürk Professor of German / Film and Media Speaker UC Berkeley

Axel Englund

Encina Hall
Stanford University
Stanford, CA 94305

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Anna Lindh Fellow, The Europe Center
Englund_headshot.jpg PhD
Axel Englund is a scholar of Literature and Musicology. He completed his doctorate at Stockholm University, Sweden (April 2011), where he has also taught modernist exile literature and metrics. His dissertation, a book version of which is being published by Ashgate in 2012, focuses on the poetry of the German-speaking Holocaust survivor Paul Celan, and its interplay with music. In 2009, he was a visiting scholar at the Department of Germanic Languages and Literatures at Columbia University. His research interests include the poetry and music of the 20th century, intermedial relations, critical musicology, hermeneutics and aesthetics. His current research addresses the poetic output of W.G. Sebald.
Axel Englund Anna Lindh Fellow (former) at Stanford University and Scholar of Literature and Musicology Speaker Stockholm University

Anna Westerstahl Stenport

Encina Hall
Stanford University
Stanford, CA 94305

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Visiting Associate Professor and Anna Lindh Fellow, The Europe Center
Stenport.jpg PhD

As a Visiting Associate Professor and Anna Lindh fellow in The Europe Center, Anna Westerstahl Stenport researches the contemporary European and Nordic film and media industries. Her interests include production studies and digital convergence culture and span investigations into aesthetics, film genre, and thematic analyses. She includes practitioner perspectives in her work and incorporates extensive interview material in her writing. Current scholarship focuses on contemporary Swedish, Norwegian, and Danish film industry culture. She is the author of a book on Swedish director Lukas Moodysson's debut feature 'Show Me Love'  (University of Washington Press Nordic Film Classics Series, 2012). Current research includes film adaptations of Scandinavian crime writers Stieg Larsson, Henning Mankell, and others.  

Anna also researches turn-of-the century European literature, drama, and culture with an emphasis on economic history. She has written extensively on Swedish author and playwright August Strindberg. Works include the book Locating August Strindberg's Prose: Modernism, Transnationalism, and Setting (University of Toronto Press, 2010) and numerous articles and book chapters.  

A native of Sweden's Göteborg, Anna holds degrees from Uppsala University and a PhD from the University of California, Berkeley. She is an Affiliate Associate Professor at the University of Gothenburg, as well as a tenured professor at the University of Illinois at Urbana-Champaign.   

Anna Westerstahl Stenport Anna Lindh Fellow at Stanford University and Associate Professor Speaker University of Illinois at Urbana-Champaign
Leslie Morris Professor of German Speaker University of Minnesota
Lucy Alford Doctoral Candidate, Department of Comparative Literature Speaker Stanford University
Andrew Utter Artistic Director Speaker Uranium Madhouse Theater, Los Angeles
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