Song Min-soon will discuss the role of the ROK-U.S. alliance in addressing the North Korean nuclear issue and promoting security cooperation in Northeast Asia. He will share his views on the need for the ROK-U.S. alliance to employ strategic approaches in dealing with the North Korean nuclear problem, including ways to engage China and North Korea. In addition, Song will present his thoughts on why it is essential for the ROK-U.S. alliance to come up with a vision for the future of the Korean Peninsula and Northeast Asia that can be shared by countries in the region.

Song Min-soon, a former career diplomat, was Minister of Foreign Affairs and Trade in the administration of President Roh Moo-Hyun and prior to that his National Security Advisor. Song was chief negotiator in the Six Party Talks when the September 19 Joint Statement was adopted in 2005. He participated in the Korean Peace Talks in Geneva as well as the inter-Korean Defense Ministers’ Talks, both in the late 1990s. Song negotiated numerous ROK-U.S. bilateral issues, including a revision of the Status of Forces Agreement (SOFA). Song was elected to the National Assembly in June 2008 and currently serves on the Foreign Affairs, Trade & Unification Committee. He has a BA in German literature from Seoul National University.

Born in 1950, Professor Raulff studied philosophy and history (Doctorate from Marburg in 1877, Habilitation at Humboldt University, Berlin, in 1995. Since 1994, he has been an editor in the arts pages of the Frankfurter Allgemeine Zeitung, and culture editor since 1997. Since 2001, Professor Raulff has been Executive Editor in the arts section of the Süddeutsche Zeitung. In summer 1996, he was a fellow of the Getty Research Institute in Santa Monica (USA), and in the winter of 2003/2004 a Fellow of the Institute for Advanced Study in Berlin. Since November 2004, he has been Director of the German Literature Archive Marbach and since November 2005 a Member of the Presidium of the Goethe-Institut. Professor Raulff is the winner of the Anna-Krüger prize of the academic staff in Berlin for scientific prose (1996), the Hans-Reimer Prize of the Aby-Warburg-Stiftung in Hamburg (1997) and the Prize of the Leipzig Book Fair 2010 (nonfiction).

Sponsored by The Europe Center at the Freeman Spogli Institute for International Studies, the Department of German Studies, SULAIR, and the Stanford Humanities Center.

The Gurs Zyklus, performance of Trimpin's stirring and uncategorizable reflection on memory and remembrance, tragedy and renewal, exploration and wonder.From the astonishing mind of MacArthur "Genius Award"- winning inventor and sound sculptor, Trimpin: A stirring and uncategorizable reflection on memory and remembrance, tragedy and renewal, exploration and wonder.

Combining live performance with kinetic sculpture, and world history with personal biography, The Gurs Zyklus ("Gurs Cycle") represents the fruits of a lifetime of curiosity, investigation, inspired tinkering, and riveting invention on the part of Trimpin, the brilliant artist of one name and no definable genre.

As a youth in southwestern Germany in the 1950s, Gerhard Trimpin (as he was then known) was haunted by the fact that, in the Nazi era, the Jews from his town had all been deported to the internment camp at Gurs, near the Spanish-French border. Decades later, Trimpin worked with maverick composer Conlon Nancarrow, who revealed that he, too, had been interned at Gurs-during the Spanish Civil War. More recently, a 2006 New Yorker profile of Trimpin mentioned this Gurs connection. Trimpin was contacted shortly thereafter by Victor Rosenberg, a descendant of a family interned at Gurs, who, having read the article, offered the artist the use of more than 200 of his family's letters mailed from the camp.

These and other elements, united by history, profound coincidence, and the power of Trimpin's imagination, weave together in a stage performance truly like no other: Vocalists sing and speak texts drawn from the Rosenberg letters into "fire organs" of Trimpin's invention. Projections of historic images from Gurs meld with film from Trimpin's own retracing of the journey by train to the camp. The music of Nancarrow meets sounds derived from bark patterns of the trees near Gurs-among the last living "witnesses" to the camp's dark history. Throughout, Gurs Zyklus offers a novel perspective on an important story now at the edges of living memory, as well as a stage experience that is immersive and deeply moving.

POST-PERFORMANCE DISCUSSION with Trimpin and Jenny Bilfield.

This event is sponsored by Stanford Lively Arts.

For more information, please visit the Stanford Ethics and War Series website.

Trimpin discusses his year-long Stanford residency and his new work which combines kinetic musical sculpture with emotionally-powerful WWII history.

As a youth in southwestern Germany in the 1950s, Gerhard Trimpin (as he was then known) was haunted by the fact that, in the Nazi era, the Jews from his town had all been deported to the internment camp at Gurs, near the Spanish-French border. Decades later, Trimpin worked with maverick composer Conlon Nancarrow, who revealed that he, too, had been interned at Gurs-during the Spanish Civil War. More recently, a 2006 New Yorker profile of Trimpin mentioned this Gurs connection. Trimpin was contacted shortly thereafter by Victor Rosenberg, a descendant of a family interned at Gurs, who, having read the article, offered the artist the use of more than 200 of his family's letters mailed from the camp. These and other elements, united by history, profound coincidence, and the power of Trimpin's imagination, come together in a unique multimedia stage performance, The Gurs Zyklus, that will be presented by Stanford Lively Arts on Saturday, May 14.

This event is sponsored by the Aurora Forum.

For more information, please visit Stanford's Ethics and War Series webstie.

The European Union’s efforts to export its model of regional integration have often been contrasted with the persistently top-down character of the Association of the Southeast Asian Nations.  Few, however, have examined the actual pattern of interest representation inside ASEAN and the extent to which it has been influenced by EU norms. 

The findings are surprising:  Neither has the EU actively promoted its essentially liberal-pluralist brand of interest representation in Southeast Asia, nor have ASEAN elites been inclined to adopt it, notwithstanding domestic pressures to make the Association more “people-centered.”  ASEAN elites have instead equipped the organization with a top-down, state-centered political culture with corporatist and organicist features reminiscent of Europe before World War II.

Jürgen Rüland is a professor of political science at the University of Freiburg, whose Southeast Asia Program he chairs with support from the German Federal Ministry of Education and Research.  He also heads the Advisory Council of the German Institute of Global and Area Studies (Hamburg).  Together with Christl Kessler, he was awarded the William Holland Prize for the best article published in Pacific Affairs in 2006.  His research interests include Southeast Asian regionalism, interactions between different regions, and processes of cultural appropriation.  He will be at Stanford from September through December 2010

This lecture will describe North Korea as seen from the inside - its people, their aspirations and fears, and what it is like to live amongst them.

With frequent appearances on BBC discussing North Korea, Mr. Everard, former British Ambassador to North Korea, 2006-2008, brings extensive knowledge of North Korea, China and South America to APARC.  He served as British Ambassador to Uruguay in 2001-2005, and was head of the Political Section in Beijing 2000-2001.  He was responsible for political relations with the troubled states of West Africa and managed mutinational efforts to restore democracy to Bosnia, 1995-1998.  He became the youngest British Ambassador to Belarus in 1993.

During his fellowship at the Asia-Pacific Research Center, Mr. Everard will hold seminars related to his research project on North Korean life and society and will be involved in various projects on Korea.  He is also a Visiting Senior Fellow at the Asia Research Centre of London School of Economics.

Mr. Everard studied French, German and Chinese at Emmanuel College, Cambridge, and studied Chinese history and economics at Bejing University. He holds an MA from Manchester Business School.

Abbas Kadhim is an Assistant Professor of National Security Affairs at the Naval Postgraduate School, Monterey, California.  He also holds a Visiting Scholar status at Stanford University since 2005.  Between 2003 and 2005, he taught courses on Islamic theology and ethics at the Graduate Theological Union in Berkeley, California.

His recent publications include: "a Case of Partial Cooperation: the 1920 Revolution and Iraqi Sectarian Identities" (forthcoming); "Forging a Third Way: Sistani's Marja‘iyya between Quietism and Wilāyat al-Faqīh, in Iraq, Democracy and the Future of the Muslim World, edited by Ali Paya and John Esposito, Routledge,  July  2010;  "Widows' Doomsday: Women and War in the Poetry of Hassan al-Nassar," in Women and War in Muslim Countries, ed. Faegheh Shirazi, Austin: The University of Texas Press, June 2010; "Opting for the Lesser Evil: US Foreign Policy Toward Iraq, 1958-2008," in Bob Looney (ed.) Handbook of US Middle East Relations, London: Routledge, 2009; and Shi`i Perceptions of the Iraq Study Group, Strategic Insights, vol. VI, issue 2 (March 2007).

His book translations include Shi‘a Sects: A Translation with an Introduction and Notes, London: Islamic College for Advanced Studies Press (2007); Wahhabism: A Critical Essay, by Hamid Algar (Arabic Translation), Köln, Germany: Dar al-Jamal (2006); and Runaway World: How Globalization is Reshaping our Lives, by Anthony Giddens (Arabic Translation), with Dr. Hassan Nadhem, Beirut: (2003).

His current projects include editing the Routledge Handbook of Governance in the Middle East and North Africa, London: Routledge (forthcoming 2011) and finishing a manuscript on The 1920 Revolution and the Making of the Modern Iraqi State (under review).