In the Soviet Union speaking about the Gulag was forbidden until the period of perestroika. Nevertheless survivors of the Stalinist concentration camps wrote about the Stalinist practices of terror against the official politics of forgetfulness. Varlam Shalamov’s (1907-1982) prose, especially his “Kolyma Tales”, must be named along with Primo Levi or Jorge Semprun. But his texts rested unpublished for a long time and his aesthetic position is not as well-known as Solshenicyn.
Shalamov understood his own writing as an effort to find a new aesthetic after Kolyma, Auschwitz and Hiroshima. From his point of view, the author should be like Pluto, who came out of the Hades and told the truth about the fragility of man and civilization. The seminar will discuss Shalamov’s strategy of literary memory.
Dr. Franziska Thun-Hohenstein is a researcher at the Zentrum für Literatur- und Kulturforschung (ZfL, Centre for Literary and Cultural Studies), Berlin. Since 2008, she has been head of the East Europe department at ZFL, and manager of projects on "The Topography of Europe's Plurale Cultures in View of its Eastward Shift," and "Aporias of Forced Modernization: Figurations of the National in the Soviet Empire." Her research topics include memory and autobiographical writing in 20th century Russian literature, cultural topographies, secularization and resacralization between East and West, and figurations of the national in the Soviet Empire. Dr. Thun-Hohenstein studied Russian language and literature at Lomonossow University Moscow.
Her publications include Gebrochene Linien: Autobiographisches Schreiben und Lagerzivilisation (Broken lines: Autobiographical writing and camp-civilisation, Berlin Kadmos 2007). She is editor of the Collected Works of Varlam Shalamov; and, with W. St. Kissel, of Exklusion: Chronotopoi der Ausgrenzung in der russischen und polnischen Literatur des 20. Jahrhunderts (München 2006).
